History and movies: the dichotomy order/transgression in the film Hidalgo. La historia jamás contada, by Antonio Serrano

Authors

Keywords:

History., Movies., Semiótics., Identity., Culture., Miguel Hidalgo

Abstract

Movies could be a good opportunity if we are insterested in analyzing the convergence between History and fiction. In this article, we want to review the deconstruction which is manifested in the vision of national history that mythifies historical figures as in the film Hidalgo, la historia jamás contada, text in which we locate the next dichotomy: order/transgression. This structure guides both, the fictional story and historical discourse. Using tols from History and semiotics, we will analyze the way that the historical caracter, Miguel Hidalgo, is configured. On the other hand, we will travel through two poles: culture and identity, to characterize the construction of the above fictional story and historical discourse.

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References

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Lara C, (28 de enero de 2018). "La historia también es pura ficción": Antonio Serrano. Correcamara. Recuperado de: http://www.correcamara.com.mx/inicio/int.php?mod=noticias_detalle&id_noticia=2089

Margarito, M. (2012). “La desmitificación del héroe histórico en la obra de Ibargüengoitia”. En Études romanes de Brno. (33). 97-109.

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Serrano, A. (Dir.) (2010), Hidalgo la historia jamás contada, cinta cinematográfica, México, Imcine-20th Century Fox.

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Published

2018-12-19

How to Cite

Ruiz Barriga, J. A., & González Vidal, J. C. (2018). History and movies: the dichotomy order/transgression in the film Hidalgo. La historia jamás contada, by Antonio Serrano. Sincronía, 23(75), 363–385. Retrieved from https://revistasincronia.cucsh.udg.mx/index.php/sincronia/article/view/579

Issue

Vol. 23 No. 75 (2019): January-June

Section

MISCELLANY

License

Copyright (c) 2019 Jorge Alberto Ruiz Barriga y Juan Carlos González Vidal

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