Language and embodied fiction. A phenomenological approach to Cuento amarillo

Authors

Keywords:

Phenomenology., Body., Language., Literatura., Fiction., Story.

Abstract

This article is a literary approach that seeks to answer the question about the phenomenological relationship between body-language and the storyteller Cuento amarillo. For this, he uses the Merleau-Ponty phenomenology as a theoretical base in two base works, The Prose of the World and The Phenomenology of Perception, from which he seeks to explore how the concepts of body, language and fiction are operating within the narrative with the purpose is to glimpse the textual guidelines that make up the characters of this literary work and within phenomenology itself and therefore create a new proposal towards the body with a view to a theoretical discussion with language.

Downloads

Download data is not yet available.

References

Estévez, A. P. (1980). El lenguaje en Merleau-Ponty. Luz. Repositorio Académico, 132-152.

Gamboa, L. V. (2014). La experiencia corpora. La perecepción del lenguaje en Merleau-Ponty: apuntes para una fenomenología de la inter-culturalidad. Eidos, 260-282.

Merleau-Ponty. (1971). La prosa del mundo. Madrid: Tauros.

Merleau-Ponty, M. (1993). Fenomenología de la percepción. (J. Cabanes, Trad.) Barcelona, España: Planeta-Agostini.

Pinzón, H. J. (2014). La literatura como in-corporación: el cuerpo como proceso. La Palabra, 91-97.

Rendón, L. (2020). Cuento Amarillo. CDMX: Cuadrivio.

Published

2020-12-17

How to Cite

Pérez Pérez, J. (2020). Language and embodied fiction. A phenomenological approach to Cuento amarillo. Sincronía, 25(79), 223–234. Retrieved from https://revistasincronia.cucsh.udg.mx/index.php/sincronia/article/view/494