The realistic and the fantastic material in Murakami´s stories Sauce ciego, mujer dormida

Authors

  • Heraclia Castellón Alcalá Universidad Nacional de Educación a Distancia

Keywords:

Contemporary narrative, Japanese literature., Short stories

Abstract

The narrative production of Murakami is defined in novels and works of smaller format, short stories. It is of interest to verify if in a work with so particular signs both types of narrative genders show the same coordinates of author. This work analyzes two intrinsic marks of this writer, the realism of the stories and, at the same time, there course to the fantastic component in the stories of the book Blind Willow, Sleeping Woman. The paradoxical coexistence of both features deserves special attention. This work is about checking the weigh to feach of these forces in this set of stories, to stop in some more polarized towards one of the two.

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References

Cubillo, R. (2011). Lo ominoso en el cuentario Sauce ciego, mujer dormida de Haruki Murakami. En Revista de Lenguas Modernas (15), 13-28.

Echeverri, A. (2015 Enero-junio). De qué hablo cuando hablo de Murakami. En Revista Mundo Asia Pacífico, 4(6), 100-114.

Murakami, H. (2008). Sauce ciego, mujer dormida. Barcelona. Tusquets. Traducción de Lourdes Porta Fuentes. Páginas citadas de la edición electrónica.

Murakami, H. (2017). De qué hablo cuando hablo de escribir. Barcelona: Tusquets. Traducción de Fernando Cordobés González y Yoko Ogihara.

Rubio, C. (2012). El Japón de Murakami. Madrid: Aguilar.

Sotelo, J. (2013). Los mundos de Murakami. Madrid: Izana Editores

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Published

2025-10-20

How to Cite

Castellón Alcalá, H. (2025). The realistic and the fantastic material in Murakami´s stories Sauce ciego, mujer dormida. Sincronía, 23(76), 545–5692. Retrieved from https://revistasincronia.cucsh.udg.mx/index.php/sincronia/article/view/612

Issue

Vol. 23 No. 76 (2019): July-December

Section

LETRAS

License

Copyright (c) 2019 v

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