Land art: as complexity and art concert.

Authors

Keywords:

Bio-social processes., Complexity theory., Contemporary art., Land art., Science.

Abstract

This philosophical article deals about two emergent issues. On the one hand, we have complexity theory, and on the other land art. It rebuilds and it compares main arguments of both proposals. We suggest the adaptation of land art to bio-social world, as it is depicted by complexity theory. It seems possible to find a perspectivistic and relation-based proposal in land art. Moreover, this artistic trend involves hologramatic, recursive and dialogical processes.

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Author Biography

David Francisco Nani, Katholieke Universiteit Leuven

The author is a philosopher. He obtained the Master's Degree in Iberian and Ibero-American Studies from the Katholieke Universiteit Leuven in Belgium and the Higher Diploma in Constructivism and Education (FLACSO Argentina). He works as a teacher and writer (his new story book is titled Álbum de parajes prostitutes, published in 2023). His areas of interest are philosophy of science, social and political philosophy (especially human rights), and Merleau-Pontian phenomenology. Email: davidfrancisconani@gmail.com

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Published

2024-03-20

How to Cite

Nani, D. F. (2024). Land art: as complexity and art concert. Sincronía, 28(85), 731–750. Retrieved from https://revistasincronia.cucsh.udg.mx/index.php/sincronia/article/view/43

Issue

Vol. 28 No. 85 (2024): January-June

Section

MISCELLANY

License

Copyright (c) 2024 David Francisco Nani

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