The aesthetic experience like Ereignis. Significance and meaning in relation to the work of art.
Keywords:
Heidegger, Aesthetic experience, Significatividad, Ereignis.Abstract
The following work develops the elements that appear in The origin of the work of art that allow to think the relationship with the artworks from an aesthetic-semiotic approach –in line with the researches and the perspectives held by Adrián Bertorello–, taking in consideration the notions of world, signification and Ereignis in order to propose a non-metaphysical "aesthetic" that may be inserted in the crucial matter of the destiny of the Dasein and its connection with the Truth of Being, focusing in the evenemential foundation of meaning that “trans-propriates” to it leading to a semantic experience with the art
.
Downloads
References
Bertorello, A. (2008). El límite del lenguaje. La filosofía de Heidegger como teoría de la enunciación, Buenos Aires, Biblos.
Heidegger, M. (2014). El ser y el tiempo, trad. de Gaos, J., Buenos Aires, FCE.
Heidegger, M. (2012). “El origen de la obra de arte” en Caminos de Bosque, trad. de Cortés, H. y Leyte, A., Madrid, Alianza.
Heidegger, M. (2011). Aportes a la filosofía: acerca del evento, trad. de Picotti, D., Buenos Aires, Biblos.
Heidegger, M. (2003). Introducción a la metafísica, trad. de Ackermann Pilári, A., Barcelona, Ed. Gedisa.
Heidegger, M. (2001). “Carta sobre el ‘humanismo’” en Hitos, trad. de Cortés, H. y Leyte, A., Madrid, Alianza Editorial.
Heidegger, M. (1935). El origen de la obra de arte. [Versión electrónica]. http://www.lauragonzalez.com/TC/Heidegger_El_origen_de_la_obra_de_arte.pdf
Heidegger, M. (1931). El origen de la obra de arte (primera versión), trad. de Ángel Xolocotzi en Revista de Filosofía (115).
Rebok, M. G. (s.d.). Hölderlin y Heidegger, un retorno de la disposición hacia lo sagrado: poesía y pensamiento. [Versión digital] http://proyectohermeneutica.sociales.uba.ar/wp-content/uploads/sites/31/2016/12/mg_rebok.pdf
Downloads
Published
How to Cite
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format
- Adapt — remix, transform, and build upon the material
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- NonCommercial — You may not use the material for commercial purposes .
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.