Ortega y Gasset’s view of theater.
Keywords:
Existence., Spectator., Perspective., Vitalism., Humanize.Abstract
This article questions the dialectics among the actor and the public. It seeks to think about the relevancy and the historicity of the theatre and looks to understand the practice of the theatre as a vital art for the human being. Using the Jose Ortega y Gasset’s principal theses about “the spectator”, the text analyzes the game of masks installed between the actor and the spectator in the art moment but also in life. It also interrogates the notions of vital circumstance and reality and the importance of these philosophical criteria applied in theatre. Il also studies the perspectivism though against the unilateral way of seeing and invites to receive the theater discourses as a gift of live.
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Copyright (c) 2020 Rafael Eivan Castellano González
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