Art as a tribute and recognition of the struggle of women. About the exhibition The Dinner Party (1974-1979), by Judy Chicago.
Keywords:
Feminism., Postmodernity., Recognition., Tribute., Women.Abstract
This text is a description of the largest feminist installation of the last decades: The Dinner party, by the artist and activist Judy Chicago. Its objective is to present and describe the author's intentions, as well as to point out the value that it has in areas such as the social and the intellectual, insofar as her proposal corresponds to and understands the practices of postmodernity.
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References
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Enríquez, M.; González, M. (2020) La imagen femenina en el arte cubano. Un análisis desde la perspectiva de género. SAPIENTIAE: Revista de Ciencias Sociais, Humanas e Engenharias. 5(2) http://www.redalyc.org/articulo.oa?id=572762223009
Zubiaurre, M. (1997) Feminismo y posmodernidad. Anuario de Letras Modernas. (8) pp. 79-94.
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