Octavio Paz and his relationship with Latin American writers who have won the Nobel Prize in Literature.
Keywords:
Octavio Paz, Neruda, García Márquez, Vargas Llosa.Abstract
The article examines the relationships Octavio Paz maintained with three Latin American Nobel Prize–winning authors—Pablo Neruda, Gabriel García Márquez and Mario Vargas Llosa—highlighting how political differences, intellectual affinities and historical contexts shaped their interactions over several decades. Through a descriptive-analytical approach based on interviews, memoirs, letters, critical commentary and press documents, the author reconstructs the key moments of friendship, conflict and ideological divergence among these writers. Paz’s early friendship with Neruda, formed during the 1937 Congress of Anti-Fascist Writers, deteriorated due to Neruda’s Stalinist sympathies, though the two reconciled emotionally shortly before the Chilean poet’s death. With García Márquez, Paz’s relationship was distant and marked by disagreements over the Padilla case, the direction of the magazine Libre and the Colombian writer’s support for the Cuban Revolution and his friendship with Fidel Castro. Paz’s ties with Vargas Llosa were notably closer: both shared critiques of authoritarian regimes, collaborated in intellectual projects and later engaged in a public debate about the Mexican political system during the 1990 event “The 20th Century: The Experience of Freedom.” The article concludes that these relationships reveal the extent to which writers function as political and cultural agents in Latin America, showing how ideological tensions and shared commitments influenced the region’s intellectual landscape.Downloads
References
Arriola, Juan Federico, (2008), La filosofía política en el pensamiento de Octavio Paz. Ciudad de México: UNAM.
Cano Gaviria, Ricardo, (1972), El buitre y el ave fénix: conversaciones con Mario Vargas Llosa. Barcelona: Ed. Anagrama.
Esteban, Ángel, Panichelli, Stéphanie, (2004), Gabo y Fidel. El paisaje de una amistad. Madrid: Editorial Espasa Calpe.
Esteban, Ángel, Gallego, Ana, (2009), De Gabo a Mario. La estirpe del Boom. Madrid: Editorial Espasa.
Garro, Elena, (2011), Memorias de España 1937. Madrid: Salto de Página.
Gilman, Claudia, (2003), Entre la pluma y el fusil. Debates y dilemas del escritor revolucionario en América Latina. Buenos Aires: Siglo XXI Editores Argentina.
Neruda, Pablo, (1983), Confieso que he vivido: Memorias. Barcelona: Seix Barral.
Paz, Octavio, (1979), El ogro filantrópico. Barcelona: Seix Barral.
Plimpton, George (edited by), (2003), Latin American writers at work. The Paris review. New York: The modern library.
Poniatowska, Elena, (1998), Octavio Paz. Las palabras del árbol. Ciudad de México: Plaza y Janés.
Rodríguez Ledesma, Xavier, (1996), El pensamiento político de Octavio Paz: las trampas de la ideología. México: Plaza y Valdés/ Universidad Nacional Autónoma de México.
Roldán, Julio, (2012), Vargas Llosa. Entre el mito y la realidad. Posibilidades y límites de un escritor latinoamericano comprometido. Marburg: Tectum Verlag.
Vargas Llosa, Mario, (1994), Desafíos a la libertad. Lima: Peisa.
Vargas Llosa, Mario (2000), El lenguaje de la pasión. Madrid: Ediciones El País.
Vizcaíno, Fernando, (1993), Biografía política de Octavio Paz o la razón ardiente. Málaga: Editorial Algazara.
http://elpais.com/diario/1990/08/31/cultura/652053604_850215.html
http://elpais.com/diario/1990/09/01/cultura/652140001_850215.html
http://www.jornada.unam.mx/2011/03/04/index.php?section=politica&article=023n1pol
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2014 Osbaldo Amauri Gallegos

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format
- Adapt — remix, transform, and build upon the material
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- NonCommercial — You may not use the material for commercial purposes .
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.





















